With a name inspired by Mehdi Hassan’s classic ghazal, Mohabbat Karne Wale might lead listeners to expect something rooted in tradition or nostalgia. Instead, Nayel Wajahat surprises with an entirely different sound. A sleek, modern, and upbeat project that redefines what love sounds like for a new generation of Pakistani listeners.
The four-track EP moves confidently through pop, funk, and Afro-beat influences, with production handled by Umair and Shahrukh Kazim Ali. The result is a cohesive collection of songs that balance youthful energy with polished craftsmanship. It’s the kind of record that feels made for late-night drives, crowded rooms, and headphone moments alike.
The first song, “Mixed Signals,” sets the tone with its playful rhythm and multilingual lyrics, jumping effortlessly between Urdu, English, and Punjabi. It’s fast, groovy, and self-assured. A song that doesn’t try too hard yet instantly hooks you in.
“WYA” follows, leaning further into jazz-funk textures. The production here is distinct, smooth, and rhythmic. It’s catchy in a way that lingers without overstaying its welcome.
“Lovesick,” featuring the effortlessly charming Natasha Noorani, takes things into a slightly softer space. It’s still modern and upbeat but tinted with a kind of sweetness that fits Natasha’s tone perfectly. Her vocals add depth and character, balancing Nayel’s energy with warmth.
The EP closes with “Face Card,” arguably its most dynamic moment. Featuring a verse from Talha Anjum, the song blends rap with pop sensibilities, creating something infectious and radio-ready. It’s clever, fun, and confidently executed. A clear highlight that shows how well collaboration can elevate sound.
While the songs carry a similar mood throughout, upbeat, bilingual, and rooted in modern pop production, each track brings a slightly different flavor to the table. You can hear Umair’s jazz and funk DNA running through the arrangements, while Shahrukh’s clean, textured production keeps the energy tight and vibrant.
In the end, Mohabbat Karne Wale feels like more than just an EP; it’s a snapshot of where Pakistani pop music is today: global in sound, local in spirit!
